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EMOTIVE ANTIQUITY: The Art of Chiselling Emotions

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ANNOTATED BIBLIOGRAPHY:
[1] Irving Lavin, Bernini and the ‘Figura Serpentinata’: A Drawing Given to the Princeton University Art Museum by Charles Scribner III in Honor of Professor Irving Lavin, E-Book, vol. 77–78 (Princeton University Art Museum, 2017), http://www.jstor.org/stable/45401195.
[2] Shannon Meisberger, “Classical Sculpture and The Changing Perception of Value Three Case Studies” (Bachelor’s Thesis, University of Arizona, 2021).; Lavin, Bernini and the ‘Figura Serpentinata’: A Drawing Given to the Princeton University Art Museum by Charles Scribner III in Honor of Professor Irving Lavin.
[3] Hagesandros, Athenodoros, and Polydoros. Laocoon and His Sons. Circa 175-150 BCE. Marble, Height: 240 cm. https://jstor.org/stable/community.14665184.; Meisberger, “Classical Sculpture and The Changing Perception of Value Three Case Studies.”
[4] Pliny the Elder, Naturalis Historia Volume X Book XXXVI, trans. by D. E. Eichholz (Cambridge, MA: Harvard University Press, 1962)
[5] Virgil, “Second Book: The Story of the Sack of Troy” in Aeneid, trans. by J. W. Mackail (Edinburgh: R. & R. Clark, 1885)
ANNOTATED BIBLIOGRAPHY:
[1] Epigonus, Dying Gaul a Roman copy of a Hellenistic work c. 220 BCE. Musei capitolini (Rome, Italy). https://jstor.org/stable/community.16007968.
[2] Members of British School at Rome, A Catalogue of the Ancient Sculptures Preserved in the Municipal Collections of Rome, ed. by H. Stuart Jones, (Oxford: Clarendon Press, 1912), 339
[3] Donato Attanasio et al, “The Docimian Marble of the Ludovisi and Capitoline Gauls and Other Replicas of the Pergamene Dedications,” in American Journal of Archaeology 115, no. 5, (Chicago: University of Chicago Press, 2011), 575, https://doi.org/10.3764/aja.115.4.0575.
[4] Members of British School at Rome, 338
[5] Members of British School at Rome, 340
[6] Members of British School at Rome, 339
ANNOTATED BIBLIOGRAPHY:
[1] A. D. Fraser, “The Restoration of the Ludovisi Gaul,” in American Journal of Archaeology 36, no. 4, (Chicago: University of Chicago Press, 1932), 418, https://doi.org/10.2307/498008.
[2] Attanasio et al, 575
[3] Fraser, 420
[4] Attanasio et al, 575
[5] Gordon Campbell, The Grove Encyclopedia of Classical Art and Architecture, (New York: Oxford University Press, 2007), 571
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EMOTIVE ANTIQUITY: The Art of Chiselling Emotions
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EMOTIVE ANTIQUITY: The Art of Chiselling Emotions

Despite the intricateness and cornucopia of emotions captured within Hellenistic sculptures, it seems many ancient critics were convinced that it Read More

Published: